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Phoenix

by Matt Morrow

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1.
Down 04:46
i don't really wanna get to know you i don't really wanna be your friend i could listen to your sad, sad story but i probably wouldn't like you by the end i just wanna lie with someone i don't really know and go to sleep pretty babe, if i asked you to come out with me tonight pretty babe, would you meet me there? pretty babe, i would lift you to heights like you've never seen then i would let you down i don't wanna waste another minute trying to figure out where i went wrong with that little spitfire girl who left me with nothing but a need to write a song i just wanna lie to someone i don't really know and go to sleep pretty babe, if i asked you to come out with me tonight pretty babe, would you meet me there? pretty babe, i would lift you to heights like you've never seen then i would let you down like a raindrop in a hurricane like a stone thrown in the sea like my whole world when she walked away i'll let you down pretty babe, if i asked you to come out with me tonight pretty babe, would you meet me there? pretty babe, if i asked you to come home with me tonight pretty babe, would you follow me there? pretty babe, i would lift you to heights like you've never seen then i would let you down
2.
Die Young 04:07
3.
Evangeline 03:48
evangeline, i'm waiting for you evangeline, i'm waiting you loved me once like the world was gonna end then you were gone with the wind evangeline, where are you now? i wonder where you're hiding you disappeared and left me howling in the night and walking the floor in the morning evangeline, evangeline I adore you down to the letter ain't another woman in this godforsaken world ain't another could love me no better but evangeline, what is it with you? what is it about you? you come on hot and wet like a sweet summer rain and then you dry up and leave me frozen evangeline, evangeline i couldn't write this story no sadder ain't another woman in this godforsaken world ain't another woman who matters
4.
Smoke 03:21
and if i was watching you while you were sleeping then i didn't see when the other shoe fell and if i didn't tell you that you looked like an angel it was all i could do to tell you to go to hell and when you said you didn't know what you were doing you meant you didn't know what you were doing with me and when i said you hadn't seen nothing yet that didn't mean that there'd been nothing to see so your heart wasn't in it but baby just stay for five minutes i'll let you know when the buzzer goes and then you can slip through my fingers while the smoke of you lingers on baby, i'll get my coat and go out the way i came dumbstruck by your burning eyes and lost in the sound of your name and if i knew just how this story would end babe, it's only because i was the author not in a house with a dog in the yard not as husband and wife, not as mother and father no, i wrote you as the mysterious stranger like you've been to me for the last 10 years and i was the poet who fell for you like rain writing the poems you were too gone to hear and in the final pages there was one for the ages an epic ode for you to decode but will it slip through your fingers while the smoke of it lingers on
5.
i've lived my life by no man's code just right and wrong, and that was all soon i'll lay down my heavy load think of me that way as i fall i'm afraid of that day i'm afraid to let go i'm afraid of that day there's nothing that you didn't know there's nothing that i kept from you just hold me when it's time to go and i will sleep that dark night through but i'm afraid of that day i'm afraid to leave you i'm afraid of that day i'm afraid of that day i'm afraid to let go i'm afraid of that day i just wanted someone to know
6.
i once had some dreams, i once had time to make them grow i once had a rudder to combat the undertow i don't know anymore what i'm more terrified to see what i have become or what i never got to be i thought i'd be a phoenix, feathers glistening by now rising from the ashes of all these fires that just burnt out maybe i've got feathers, i've got wings, and i can fly but i am just a buzzard picking bones of dead loves dry and i can't bear to hang around here no more i can't bear to go and i can't tell you what i do it for we've all got something that we'll hold onto till our hands bleed i oughtta know life was once a fairground, cotton candy, ice cream cones but the sun went down, the lights went out, and everyone went home i could've been somebody, i'd be living it up and riding high but i am just a ghost haunting a life that's passed me by and i can't bear to hang around here no more i can't bear to go and i can't tell you what i do it for we've all got something that we'll hold onto till our hands bleed and i'll keep on holding onto it till it kills me we've all got something that we'll hold onto till our hands bleed i oughtta know
7.
Dry 06:09
i remember: you were 17 i was a little older, you were everything you fell asleep in the crook of my arm underneath the awning of a downtown bar and i blinked my eyes so fast and a thousand years had passed and there is something still today makes me believe every word you say when you say i'm still the only one you just can't walk away from yeah, you talk a blue, blue streak and your kisses make me weak but i can't take you downtown no more i can't stand here scratching at your door the things you keep me around for, i can't give like before yeah, you've drained me dry and i still love you just the same but i know when i've lost the game and baby, i refuse to drown in this river you've sold me down yeah, you hold me like a baby but you only tell me maybe but i can't take you downtown no more i can't stand here scratching at your door the things you keep me around for, i can't give like before yeah, you've drained me dry and i could go on, grateful you were halfway mine or i can kiss you hard one last time but i can't take you downtown no more and i'm not gonna stand here scratching at your door the things you keep me around for, i can't give like before yeah, you've drained me dry
8.
Rot 02:54
talk about your kodak moments, i never thought that i would see half as big and dumb a show of half-assed vulnerability that sorry look on your face doesn't do you any favors, dear were i a gambling man, i'd say the odds were in my favor here but i'm not, and i've had a taste of what you've got baby, take your leave and just leave me to rot blame it on my intuition, i never could ignore the way you bite your little fingernail with every line of bull you say in a perfect world, we could live happily for decades on were i a stupid man, i'm sure that's just what i'd bee banking on but i'm not, and i've had a taste of what you've got baby, take your leave and just leave me to rot if i gave you time to wear me down, i'm sure i'd lose my nerve but if i gave you time to wear me down, i'd get what i deserve so i won't and you're so sure you know me, but you don't and you think i'm thinking it over, but i'm not and i've had a taste of what you've got baby, take your leave and just leave me to rot no, i'm not, and i'm full to the brim of what you've got baby, take your leave and just leave me to rot
9.
Silent Wings 03:58
walking across a frozen field morning glory vines at my heels the sun is going down on me it's getting dark enough to see across the field, i see the silent wings across the field, i see the white, white face across the field, i hear the piercing scream the piercing scream, the silent wings the white, white face, the silent wings the silent wings, the silent wings the silent wings are gonna take me they're gonna take me at last
10.
Alouette 04:19
alouette, i got your letter that said you'd found someone new my little lark, you lit a spark you knew i wasn't done with you, my love gossamer and piss, when did it come to this? at a dance downtown, he spun you around while i watched from the street as the band played slower, he dipped you lower and swept you off your high-heeled feet, my love and leaned in for a kiss, when did it come to this? alouette, you knew better than to fuck around with this kind of man i met you both that night in the blue moonlight shiny new knife in my pack and i've heard it said you can talk to the dead i'll be damned if the dead talk back, my love i strike and i don't miss, when did it come to this? alouette, you knew better than to fuck around with this kind of man
11.
Barn Owl 04:57
your father left when you were young your mother had nothing to say you married honest and for love and you swore to yourself it would always be that way but good intent can lead to hell and so to go the best laid plans the barn owl called your name at night, but you were not a wicked man you followed footsteps in the dirt fleeing from cruel destiny i wonder how you remembered him and i wonder what you saw when you looked at me you were beaten by your legacy, but you were kind and you were good now the barn owl bears your name, but i know you did the best you could and sometimes at night, i have this dream you're standing on a flooded plain i meet you there, trembling and afraid and you look at me, and like a prayer you say my name i count the lines across your face taking in every single one then the barn owl takes you far from me and i remain my father's son
12.
Memory Play 06:19
spring's in the air, and the bloodroot is blooming and i'm wearing the coat that you bought me last year and off to the north, the horizon is looming and the road's like a calling i don't wanna hear the radio's tuned to a soft kind of sorrow but the hum of the engine just drowns out the thought and i'm tossing my last cigarette out the window and i'm leaving this town and the things that i'm not this town and the things i'm not the cities i pass are like sentinels waiting when i hit 65 i fly just like the wind and as i travel on, all that i knew is fading into some kind of memory play i was in the stage lights are caked in the dust of the freeway and the curtains have torn into rags over time but the stage is all set and the script leaves no leeway the theater was yours, but the story was mine then the story was yours and mine it was eight years ago, and the diner was dirty and i fed you a line and i slipped you my key and you made me a song, but the verses were wordy and the chords didn't fit, and still it spoke right to me and i fell so hard, i fell just like a boulder so fast that my stomach just caught in my throat by the time that i hit, i was centuries older you didn't love me no more, and that was all that she wrote you didn't love me, that's all she wrote in an hour or two, you'll be waking without me and i'll be half the way through kentucky by then i'll be asking myself, what the hell am i doing? and you'll be wondering why you ever did let me in and the stage lights go up and the place does continue though we grow so weary of the roles we must play but oh well, anyhow, i say all this to tell you baby, i never wanted to go away my love, i never wanted to go away

about

After 2011's Burlap and Gold, I was often asked what my next album was going to be like, and I always answered that it was not going to be as dark. Now here I am three years later with an album chock full of some real dark stuff. If you asked me at one point what this album was about, I would've said that it was about endings, but I'm in a different place now, and I like to think of it as an album about new beginnings disguised as endings. However, a warning: a good half or so of these songs are about untimely death. So have fun!

I spent a great deal of time, especially late nights, working on this album in my spare room, often with a cat in my lap. I played almost every note you hear on these songs myself (which is why some of the playing isn't very good). It was mostly a very solitary and often a very frustrating experience (which is because I have absolutely no idea what I'm doing at any given time when it comes to making an album). Without the encouragement from my friends, especially Alex, Emma, and in particular, my amazing girlfriend Solari, I'm not sure I would've seen much point in working so hard and getting it done. I also want to send my gratitude to several very talented friends who made such beautiful contributions: to Kristi Coughlin for adding her heartstring-tugging violin to four of these songs and to Bonner Black, Savannah Johnson, Michelle Solari, and my oldest musical friend Antje Duvekot for their vocals that are so much more than just BGV's. Without each one of you five, this album would be lacking so much. I also want to thank you, whoever you are, for reading this and for listening to my music and hopefully buying it. You're the reason I am able to keep doing this.

This album is dedicated to a barn owl and a "lil green-eyed cat"

credits

released June 24, 2014

All music and lyrics by Matt Morrow, except "Memory Play" - music by Matt Morrow and lyrics by Matt Morrow and Alex Hendrix

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Matt Morrow Guntersville, Alabama

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